WORLD MOVIES GUIDE ● CINEMA · TV · STREAMING
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WORLD MOVIES GUIDE

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Science fiction · 1968

2001: A Space Odyssey

Stanley Kubrick

Action and adventure · 1954

Seven Samurai

Akira Kurosawa

Drama · 1948

Bicycle Thieves

Vittorio De Sica

Romance · 2000

In the Mood for Love

Wong Kar Wai

Drama · 1959

The 400 Blows

François Truffaut

Comedy · 1936

Modern Times

Charles Chaplin

Comedy · 2014

The Grand Budapest Hotel

Wes Anderson

Science fiction · 2017

Dark

Baran bo Odar / Jantje Friese

Science fiction · 2022

Severance

Dan Erickson

Drama · 2002

The Wire

David Simon

Animation · 2009

Fantastic Mr. Fox

Wes Anderson

Horror · 1968

Night of the Living Dead

George A. Romero

Documentary · 1983

Koyaanisqatsi

Godfrey Reggio

Dance and music · 1948

The Red Shoes

Michael Powell / Emeric Pressburger

Drama · 2019

Parasite

Bong Joon Ho

Animation · 2001

Spirited Away

Hayao Miyazaki

Romance · 2019

Portrait of a Lady on Fire

Céline Sciamma

Drama · 2020

The Queen's Gambit

Scott Frank / Allan Scott

Comedy · 2020

Ted Lasso

Jason Sudeikis / Bill Lawrence / Brendan Hunt / Joe Kelly

Animation · 2019

Love, Death & Robots

Tim Miller / David Fincher / Jennifer Miller

Action and adventure · 1961

Yojimbo

Akira Kurosawa

Horror · 1977

House

Nobuhiko Obayashi

Documentary · 1988

The Thin Blue Line

Errol Morris

Dance and music · 1952

Singin' in the Rain

Gene Kelly / Stanley Donen

Animation · 1988

My Neighbor Totoro

Hayao Miyazaki

Drama · 1950

Rashomon

Akira Kurosawa

Drama · 1953

Tokyo Story

Yasujiro Ozu

Science fiction · 1979

Stalker

Andrei Tarkovsky

Drama · 1966

Persona

Ingmar Bergman

Comedy · 1967

PlayTime

Jacques Tati

Drama · 1989

Do the Right Thing

Spike Lee

Drama · 1957

12 Angry Men

Sidney Lumet

Drama · 2023

Perfect Days

Wim Wenders

Comedy · 1923

Safety Last!

Fred Newmeyer / Sam Taylor

Drama · 1950

All About Eve

Joseph L. Mankiewicz

Drama · 1957

Wild Strawberries

Ingmar Bergman

Drama · 1957

The Seventh Seal

Ingmar Bergman

Horror · 1955

The Night of the Hunter

Charles Laughton

Drama · 1973

Touki bouki

Djibril Diop Mambéty

Drama · 1955

Pather Panchali

Satyajit Ray

Drama · 1990

Close-up

Abbas Kiarostami

Dance and music · 1959

Black Orpheus

Marcel Camus

Drama · 1962

Cléo from 5 to 7

Agnès Varda

Drama · 1966

The Battle of Algiers

Gillo Pontecorvo

Practical guides

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Choose a streaming subscription

Start with three titles you actually want to watch, your viewing country and your devices. Find each title in the local catalogue before paying. A familiar brand guarantees…

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Find where to watch a film legally

Search the original title, year and director: remakes and translated titles can cause confusion. Set your country in an availability finder, then open the service’s own page.…

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Understand 4K, HDR and picture quality

Resolution describes pixel count; HDR concerns brightness range and colour. A 4K TV alone is insufficient: title, plan, app and connection chain must be compatible. A badge may…

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Original audio, dubbing, subtitles and audio description

Interface language does not determine all available tracks. Open audio and subtitle options on the exact title and device. Languages may differ by service, territory and edition.

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Prepare offline viewing

Downloads depend on plan, title and app. Check your device: browser and mobile app may offer different features. A download is temporary access, not a freely transferable file…

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Choose a family film

Check local rating and content information, then consider each child’s sensitivity. Animation, age or animals do not guarantee suitability. Ask what everyone wants and do not…

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Analyse a film without losing enjoyment

On first viewing, follow the story. Afterwards note three memorable moments and describe what you actually saw or heard. Separate observations, interpretations and production…

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Start a series and avoid spoilers

Distinguish serialised stories, standalone episodes and anthology. For continuous stories, start at episode one and check season order. An anthology may change characters without…

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Rental, purchase or subscription: which to choose?

For one title, compare rental with the subscription month actually needed. A service not including the film is not an alternative merely because its app lists it. For several…

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Watch a documentary critically

Identify the approach: investigation, portrait, archive, observation or visual essay. Documentary is not automatically a full record. Notice who speaks, who is absent and how…

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Prepare a home film screening

Check title, edition, stated duration and tracks before viewers arrive. Test with the actual device and connection. Playback on a phone does not guarantee the same experience on a…

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Live TV, catch-up and FAST channels

Live TV follows a schedule; catch-up offers selected programmes after broadcast. FAST channels combine linear streaming schedules with advertising. Free access, no account and no…

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Buffering streams: a practical diagnosis

Record the exact message, device, app and title. Try another programme on the same device: if only one fails, check its entry or access rights before a full reset. Look up the…

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Manage renewals and cancellations

Identify the biller: service, app store or operator. Find the receipt and associated account. An option missing on the service website may be managed by the partner collecting…

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Audio description and accessible subtitles

Audio description explains visual information between dialogue. Deaf and hard-of-hearing captions may identify speakers and relevant sounds as well as words. Standard translated…

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Cuts, restorations and editions: choose a version

Separate film year from edition year. A recent restoration does not turn an old film into a new work. Note publisher, cut and languages; compare runtime with the same version…

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Drawn animation and stop-motion: seeing materials

Stop-motion moves objects or puppets between photographed frames. Drawn animation creates poses as drawings. Techniques may mix; visible results do not always reveal the complete…

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Free streaming: compare access models

Distinguish ad-funded free services, broadcaster catch-up and paid-subscription trials. Trials may renew with a charge; read terms before joining. ARTE, france.tv and Pluto TV…

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Discover silent cinema

Start with a short comedy whose movement is easy to follow: Safety Last! is one entry in our selection. Watch hands, looks and object positions before reading intertitles. The…

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Watch a black-and-white film

Choose a simple question: how does light direct attention? Follow faces in Persona, silhouettes in The Night of the Hunter, and bodies sharing a room in 12 Angry Men. These are…

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Picture formats: preserve the frame

Aspect ratio describes width/height, not resolution. A 1.33:1 frame is nearer a square than 1.85:1. Our ratios describe cited editions; check the reference when versions differ.…

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Listen to a film: voices, music and effects

Note one sound a character hears and another primarily addressed to the viewer. Music may come from a radio within a scene or accompany images without a visible source. You need…

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Choose a film for your available time

Count the time until your evening ends, allowing setup and discussion. Search’s under-100-minute filter uses documented entry runtimes and does not assign a total to series. Short…

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Discuss a film after viewing

Start without scoring: each person chooses an image, sound or reaction. Check everyone finished before discussing the ending. For beginners a concrete question works better than…

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Understand editing without jargon

Choose a dialogue scene and count shots. Note who remains visible when the other speaks: a reaction can become the scene’s centre. Describe image order before attributing intent.…

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Fiction, documentary and re-enactment

Before treating an image as documentation, ask when and how it was filmed. Real people may re-enact events; fiction may use real locations. Close-up explores this boundary. Record…

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Explore world cinema

Start with a shared question rather than a national ranking. Compare childhood in Pather Panchali and The 400 Blows, movement in Touki bouki and Bicycle Thieves. These are viewing…

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Platforms

Cinema paths

Cities and inequality

Explore how cities organise access to work, housing and power. Compare a character’s movements with the places closed to them.

Bodies, work and dance

From factory gestures to musical numbers, movement can tell a story without explanation. Compare physical comedy, musicals and filmed ballet while keeping their different tones in view.

Three animated worlds

Puppets, familiar landscapes and fantastic places: compare three ways of making a world tangible. This is a viewing exercise; check suitability separately for each viewer’s age.

Images, stories and evidence

Compare a sensory essay with an investigation through two documentaries. Their goals differ: notice what images suggest and what testimony allows you to check.

Fear in confined spaces

Besieged houses, disturbing objects, labyrinthine offices: compare restrictions on movement and information. Check content advice for the images and themes in this path.

Serial, limited series or anthology?

Choose a form to suit your pace. A continuous story builds relationships over time; a limited series offers a bounded whole; an anthology renews its stories. Episode length alone does not predict the experience.

Testimony, doubt and truth

Three ways to form conviction: conflicting accounts, collective discussion and documentary investigation. Start with Rashomon, continue with 12 Angry Men, then compare The Thin Blue Line. Who produces each image, who comments on it, and what remains unverified?

Everyday gestures and routines

A gesture can express constraint, habit or choice. Compare mechanical work in Modern Times, the day in Perfect Days and circulation in PlayTime. Instead of imposing one moral, notice what repetition changes in your perception of character and place.

Families, generations and distance

Tokyo Story’s visit, memories in Wild Strawberries and a child’s perspective in Bicycle Thieves compare family as relationship rather than backdrop. Notice who has time, who cares for others and who remains outside conversation.

Masks, roles and identities

Persona explores speech and silence, All About Eve social roles, Severance an organised separation of experience. Compare how you come to know a character: speech, another person’s gaze or gestures made away from supervision.

The city seen and heard

Compare crowds and sound in PlayTime, Do the Right Thing and Koyaanisqatsi. A street can host exchange, direct bodies or create rhythms. Choose a scene making each city recognisable without consulting a map.

Black and white: light and space

Compare monochrome comedy in Safety Last!, fear in The Night of the Hunter and questioning in The Seventh Seal. Absent colour does not impose one mood. Watch silhouettes separating from backgrounds and spaces appearing open or closed.

Leaving, staying, imagining elsewhere

Compare everyday movement and imagined journeys. Touki bouki, Bicycle Thieves and Pather Panchali connect space to desire or necessity through different forms.

Clocks, waiting and duration

Three sessions on experienced time: waiting in Paris, routine in Tokyo and a confined discussion. Shot length and total runtime have different effects.